I now take back any defense I gave Katherine Heigl for her comments about Knocked Up. I was already on my way there when I heard about The Ugly Truth and its premise where a smart and successful woman turns to a chauvinist to learn about nabbing her beau. I hit the brink with the second trailer where she actually tries to deep throat a hot dog and stick out her chest to get the guy, while he says every pervish thing he can think of. And now ... now there's vibrating underwear.

In the clip after the jump, so appropriately coming to us from Coming Soon, Heigl's character gets a little vibrating gift as she gets ready for a date. She decides to put on the panty rocket and then gets whisked off on a half-date/half-business meeting. At no time does she decide to excuse herself to take off these things, and in fact, gets into some hot trouble when the remote falls into the hands of a kid at the next table. Heigl channels When Harry Met Sally, poorly I might add, and Gerard Butler watches in amusement.

Heigl... How any woman who notes chauvinism in a Judd Apatow movie can then take on this schlock is beyond my comprehension. Furthermore, take away Butler's charm and put ... hmm ... let's say Steve Buscemi into the role -- is it still all romantically funny, or does it get downright creepy? Actually, now that would be a movie -- The Ugly Truth, where a romcom tries to deliver this bull pucky to audiences without a dapper leading man to make it palatable.

Dear... uh, well... Woody Allen, I suppose:

So here you are, with Whatever Works, which is something like your 44th feature at the age of 73. That's really something, but I'm sure you already know that. As if it wasn't enough that we can credit you with the likes of Annie Hall and The Purple Rose of Cairo... But I digress, although maybe that's the best strategy at the moment, because I can't exactly talk about Whatever Works just yet. It doesn't open in my neck of the woods until tomorrow today, and well, they refused to screen it for press.

Actually, they kinda did screen it, and, apparently, it's all kinda your fault.

Indie Roundup reviews the past week of news from the independent film community and provides a peek at what's coming soon.

Opening. Two films opened yesterday which couldn't have less in common: Agnès Varda's essay film The Beaches of Agnès and Nia Vardalos' I Hate Valentine's Day. Tomorrow comes Anne Fontaine's comedy The Girl From Monaco.

Deals. Xavier Dolan's family drama I Killed My Mother, Kenneth Branagh's The Magic Flute, and Asghar Farhadi's drama About Elly have all been acquired by Here Films, the company formerly known as Regent Releasing. All three are headed for theaters next year. [indieWIRE]

Online Viewing. The 4th of July weekend inevitably brings thoughts of America as a land of immigrants, and that's the topic of Home, which debuts on Amazon VOD this week, featuring interviews with Mike Myers, Alfred Molina, and Liam Neeson. Also somewhat topical: if Michael Jackson had an impact on race in pop music, what about African-American musicians playing rock 'n' roll exclusively? Raymond Gayle's Electric Purgatory examines the issue (at iTunes). If you're looking for love, you have something in common with two women in the comedy/drama Arranged (also at iTunes.)

Box Office. Kathryn Bigelow's lacerating bomb squad thriller The Hurt Locker earned a per-screen average ($36,338) that bested even the giant robots, albeit on only four screens. Woody Allen's Whatever Works expanded to 35 screens and grossed $10,280 per outing. The combination of star Michelle Pfeiffer and director Stephen Frears could stir up only a tepid $5,338 per-screen at 76 locations for Cheri, which is less than the average for Duncan Jones' Moon in its third week on 21 screens. [Box Office Mojo.]

After the jump: David Hudson's The Daily takes a permanent (?) vacation, portending the end of the world as we know it.

Same-sex love is most definitely in the air. I already wrote about Julianne Moore and Annette Bening were coupling up for a new film today, but they're not the only ones. In a Thelma and Louise meets The Bucket List move, The Hollywood Reporter posts that Oscar winners Olympia Dukakis and Brenda Fricker will star in a new road trip comedy from Thom Fitzgerald called Cloudburst.

Dukakis and Fricker will play a couple who have been together for 30 years. Itching for a little adventure, the two "break out of a nursing home and head to Canada to get married, picking up a young, male hitchhiker along the way." I can't begin to count the ways these two films are great. Both have long-term lesbian couples, played by women with oodles of talent, and in this case, feature an older generation of actresses -- a theme which seems to be slowly gaining momentum in Hollywood as the boomers get older.

I've got to wonder -- are these gigs thanks to the anger incited by Prop 8? It's rare to get one LGBT film, let alone two at the same time. Whatever the case, it's a nice and refreshing change to see some originality heading towards Hollywood. Think Dukakis and Fricker can give Sarandon and Davis a run for their money?

It's not really a spoiler to say that in the upcoming cute and quirky 500 Days of Summer, the film begins with the following disclaimer: " Any resemblance to people living or dead is purely accidental ... Especially Jenny Beckman ... Bitch." Having seen this film play at festivals with Q&As afterward, the first or second question asked is always about whether or not Jenny Beckman is a real girl and perhaps the inspiration for the character Summer (played by Zooey Deschanel). The filmmakers have said that she is real, and at a recent screening of the film in Chicago, director Marc Webb added this to the end of his answer: "... yeah, she's real, look her up on Facebook."

So we looked her up on Facebook, and, yup, there's the Facebook page for a girl named Jenny Beckman who kinda sorta resembles Zooey Deschanel. She's a fan of 500 Days of Summer, her favorite music lists bands on the film's soundtrack (The Smiths are listed first) and she's friends with director Webb, as well as the writers of the movie. All that being said, I've walked away with a few questions:

1. Is this really the Facebook page for a girl named Jenny Beckman, and is this same Jenny Beckman the inspiration for Zooey Deschanel's character in 500 Days of Summer?
2. Is this just a piece of viral marketing on behalf of Fox Searchlight and/or the filmmakers to get people interested and keep them interested in the film?
3. If this is a hoax, then who is that girl in the picture? Is that really a girl named Jenny Beckman? Is the name Jenny Beckman fictitious, but is that still a picture of the girl who inspired the character?

We want answers! What do you think?

Simon Pegg and Nick Frost aren't the only ones getting to take a road trip with Seth Rogen. He's gotta move, gotta get out, gotta leave this place, gotta find some place. Some other place, some brand new place ... with Barbra Streisand. (I know, I can't believe I know those lyrics either.)

HitFix has the scoop that Rogen is developing a comedy called Mother's Curse, and while it's one of an estimated 300,000 projects the unlikely A-Lister is working on, this one has Streisand. Mind you, she's not even officially attached, and the movie doesn't even truly exist. Curse's storyline is under tight development wraps, and the script is still in the process of being written. As Drew McWeeny notes, "When I asked Seth about the film, he referred to it as 'one of the many projects I may or may not do in the next fifteen years,' which is a fair description. So keep in mind... I'm not saying this will or won't happen ... just that it could." It's a pet project of Paramount's new head of production Adam Goodman, so that alone could get it made under that fifteen year mark.

Just the names of Rogen and Streisand together is pretty delightful though, isn't it? I like this new trend of mature, Oscar-loaded actors being game for just about anything. It's like we went back to the Golden Age of screwball comedies when it was ok for everyone to cut loose onscreen, and comedy wasn't just Meet the Spartans schlock.

Ack! Where has this movie been all my life? St. Trinian's is the tall tale of a bevy of badass school girls who plot to steal the famous Vermeer painting "Girl with a Pearl Earring" so they can save their bankrupt school. Meanwhile, the Minister of Education, played by Colin Firth, is determined to make St. Trinian's over into a real school for young ladies. His former paramour is the headmistress Miss Fritton, played by Rupert Everett in drag. (Everett also exec produces.) And Russell Brand is, of course, a mad fellow in a bowler hat named Flash who enables the girls' shenanigans, like boozing and gambling. I'm digging the mischievous twins and the overall take no prisoners 'tude, but not so much the sexy high schoolers in stockings bit with model Lily Cole. Bond Girl Gemma Arterton stars as the lead gal Kelly, and Talulah Riley from The Boat That Rocked plays newcomer Annabelle Fritton.

St. Trinian's, which is based on the comics by Ronald Searle, has been out in the UK since 2007. There were also five previous iterations of St. Trinian's movies: The Belles of St. Trinian's, Blue Murder at St. Trinian's, The Great St. Trinian's Train Robbery, The Pure Hell of St. Trinian's, and The Wildcats of St. Trinian's.

A sequel, St Trinian's: The Legend of Fritton's Gold, is already in pre-production. St. Trinian's is slated to hit North American shores August 28th.

Check out the official website for the high-res trailer, a music video from Girls Aloud, and other goodies. A trailer from YouTube.com is after the jump.

(Thanks to Anne Thompson for the lead!)

What do you get when you mix Annette Bening, Julianne Moore, and Mark Ruffalo in a comedy? A same-sex couple and one eager sperm donor. (Bet you weren't expecting that!) Variety reports that the trio, plus Josh Hutcherson (Bridge to Terabithia) and Mia Wasikowska (Alice in Wonderland), will star in a new film called The Kids Are All Right.

Bening and Moore are playing a couple who long ago used donated sperm to start a family. Years later, when their son and daughter (Hutcherson and Wasikowska) have grown up, they want to find the man behind the sperm. So, they hunt down Ruffalo's character, and he "totally upsets their family dynamic once he enters their lives."

This project is coming from Lisa Cholodenko, which bodes particularly well for the already-unique story. You might remember that she's the writer and director of Laurel Canyon, one of the few films to show the lovely Frances McDormand as a beautiful and carefree woman, rather than a quirky gal steeped in kitsch.

So, a filmmaker who can challenge the norm, a same-sex couple played by two multi-Oscar-nominated actresses, and an original storyline to boot? Pinch me, I must be dreaming. The film just started production, so I can only hope we get to see how this all pans out soon.

Pixar and everything else - them's the breaks when it comes to judging computer-animated fare these days. Although Pixar has rightfully earned themselves the lead among studios, and by a significant margin, it's all too easy to then marginalize the performance of others.

DreamWorks has certainly raised their game beyond pure pop-culture recitation with the inventive and entertaining likes of Over the Hedge, Kung Fu Panda, and Monsters vs. Aliens (and Aardman or no, I'd even include the winning Flushed Away among their finer efforts). For every Open Season, Sony has given us a Monster House (okay, so that's just one-for-one at the moment). And every time that Fox bequeaths to unwilling audiences something like Space Chimps or Everyone's Hero, Blue Sky has nothing to do with it.

Fox/Blue Sky, however, is the precise pairing that gives us the visually engaging and moderately amusing outings like Robots, Horton Hears a Who!, and the Ice Age films, with the latest of which -- Ice Age: Dawn of the Dinosaurs -- falling right in line with that modest-yet-reliable tradition.