I thought I had outgrown my vamp addiction (aside from Buffy). I don't read Anne Rice anymore, and I haven't watched a new vamp movie in a while. But then I started watching Moonlight. Yup, still hooked. And now there's a new flick on the horizon: Variety reports that Celluloid Dreams has gone into pre-production on Hello Darkness, a "genre-bending vampire film."
This also marks the second vampire movie this week for the UK (remember Lesbian Vampire Killers?). But it won't be all darkness. Not much is being said about the plot, other than it's a "humor-laced romancer" where a regular guy becomes a vampire and then "falls for a posh student." So that's two UK vamp comedies, the direct-to-DVD Lost Boys sequel, plus some Twilight. Now if only we could get some adult vampire darkness, we'll be set! Oh wait -- we're kind of getting that with Celluloid Dreams' Julie Delpy thriller, The Countess.
Meanwhile, the company is also looking into prophets and immigrants. They've picked up a crime drama called A Prophet, where a young Arab becomes a mafia kingpin while prospering in a French prison. They've also nabbed Rabia, a romantic thriller about "two luckless immigrant workers in Spain."
If there's anyone who has pulled off a wickedly impressive image transformation, it's Angelina Jolie. She used to be the wild child who'd wear bloody tees to her wedding (with Jonny Lee), or bloody vials around her neck (as she did with Billy Bob). Then she did a 180, becoming a goodwill ambassador and starting her own multicultural Brady Bunch with Brad Pitt.
I'm happy for her, but I can't help but miss the good ol' days. She might have been wild, and she might have shocked many -- but she had a great spark, one that seems to have disappeared inside the current carefully manufactured icon she is today.
The gleam might be hidden these days, but luckily we're living in a world of DVD entertainment. We can head back to the past whenever we want to. What follows are my two favorite Jolie gigs. They're far from the best movies, but they definitely embody both the old Angelina, and a certain period of '90s rebellion. I give you: Hackers and Foxfire.
I've said before that a new film from Woody Allen is something like getting a Christmas gift from your eccentric aunt; you never know if you'll get a crocheted toilet paper cozy, or a piece of priceless heirloom jewelry. Fortunately, Allen's newest film, Vicky Cristina Barcelona, turns out to be more like the latter. The story opens with Vicky (Rebecca Hall) and Cristina (Scarlett Johansson), two best friends heading to Barcelona for eight weeks of fun.
Vicky's distant relations Judy (Patricia Clarkson) and Mark (Kevin Dunn) live in Barcelona, and have invited the girls to spend the summer there, where Vicky will do research for her Masters and Cristina will soak up the local culture. Vicky is engaged to be married to Doug (Chris Messina), a stalwart, likable, but rather boring young man, and Cristina is recovering from her latest breakup and looking for an artistic outlet for her pent-up creativity.
According to Screen Daily, Law Abiding Citizen now has a director in Frank Darabont. Citizen is the first movie to be produced under Gerard Butler's production shingle; you can read all about Evil Twins and its upcoming slate here (I am gently encouraging you to be interested in this fledgling company).
Production is set to begin on August 18th in Detroit, which I hear is becoming the new Shreveport. It's being filmed on a shoestring budget of $40 million, and the screenplay has been penned by Kurt Wimmer.
The plot has been changed quite drastically since it was first tossed around. Originally, Butler was an assistant D.A. who finds himself at the center of a traumatized victim's vigilante plot. Now, it has been revamped into the story of a criminal mastermind who controls a city from the confines of his prison cell. (Which explains why Darabont was drawn to it, and why he's a good pick. Prison dramas are a good specialty for him.) Butler is the assistant D.A. who stands in the mastermind's way.
I first heard about this film from my friend Aaron, who, honestly, hasn't stopped talking about it for over a year. He caught a screening of it at last year's Tribeca Film Festival, and absolutely fell in love. Another friend of mine was at the same screening and he loved it. Lots of people are loving it. I'm dying to love it. Will you love it, too? Moviefone has debuted the trailer for In Search of a Midnight Kiss (watch above or over on Moviefone), directed by Alex Holdridge. The film, which was shot guerrilla-style in Los Angeles after something like a two-week prep period, tells of a man who's just suffered through one of the most miserable years of his life. When his friend convinces him to post a personal ad on Craigslist (in order to avoid being alone on New Year's Eve), a girl searching for the perfect midnight kiss answers. Thus begins an eventful night that neither one will ever forget.
I'm really diggin' this trailer; definitely one of my favorites of the year so far. Well edited, well scored -- looks like my cup of Friday spiked tea. You?In Search of a Midnight Kiss hits theaters on August 1.
Dressed in an impeccable suit and a pair of hip trainers, Joachim Trier looks like one of the characters in his acclaimed film Reprise. He seems like one of Reprise's characters, as well; bright, self-aware, given to both bold pronouncements and sly moments of self-deprecation. Trier's film won accolades on the festival circuit and even won Norway's Amanda award for best direction and best screenplay; chronicling the lives of two best friends with shared ambitions of literary glory, Reprise manages to be clever without being cool, hip without being insular, and conveys both the better natures and the human flaws of its characters. It's also startlingly funny, and while all the hip narrative touches in the film are clearly deliberate, they manage to be cool without ever for a moment seeming cold.
Trier spoke with Cinematical in Los Angeles about writing Reprise, the challenges of getting a European film to an American audience, the universal fashion code of Fred Perry shirts and how he's already said "No" to the idea of remaking his own film for American audiences. This interview, like all of Cinematical's podcast offerings, is now available through iTunes; if you'd like, you can subscribe at this link. Also, you can listen directly here at Cinematical by clicking below:
Philip (Anders Danielsen Lie) and Erik (Espen Klouman-Hoiner) are best friends. They're both aspiring novelists. And at the beginning of Reprise, they both stand, hesitant, on the street in front of a mailbox, and put their manuscripts in. And the camera follows their hopes and aspirations into the darkness, and the film rockets forward, a narrator detailing the reception of their novels and what that does to their lives, who finds acclaim and who does not, the setbacks and triumphs of each of their careers, with jump cuts and film clips and rambling elaborations and bizarre left-field concepts and rapid-fire narration piled one atop the other. And then we're back in the here-and-now, as Phillip and Erik stand in front of the postal box, looking slightly abashed, wondering what exactly it is they're supposed to do next. Maybe what we saw was a dream, or a lie; we're going to have to wait and see what happens next, just like they have to.
Directed by Joachim Trier, Reprise is one of the most brilliant, heartfelt, exciting and exuberant feature film debuts in recent memory, and works not just as a demonstration of Trier's substantial talents but also as a superbly-made collaboration. Trier co-wrote alongside Eskil Vogt, and the film's ensemble (including Lie, Klouman-Hoiner and Viktoria Winge as Phillip's gamine girlfriend Kari) is also superb, down to seemingly-minute supporting roles that are nonetheless perfectly cast, like Eindreide Eisvold's all-seeing but hardly certain dry tone as the narrator.
An extended clip from M. Night Shyamalan's new film The Happeningis now online (watch it above or in higher quality over on Yahoo), with an introduction from M. Night himself saying how he was inspired by films like The Godfather and The Exorcist. What we get are snippets of scenes we've seen previously from the trailers, as well as the extended version of the train scene when Mark Wahlberg walks up to those conductors and says, "With whom?" (I love that part and I don't know why.) This is M. Night's first R-rated film, and he claims it's "the scariest movie he's ever made." I guess we'll see about that.
Or maybe someone already did. Yes, folks, there's the "early screening scooper" over at Collider who's written in with a very, very negative review of The Happening (check it out here, but watch for spoilers). This person goes after the acting most of all, as well as the awkward pacing -- going so far as to say "it's bad on an epic scale." Now it's clear M. Night asked for a certain small town, passive-aggressive tone out of Wahlberg, which he's delivered before (to a certain degree) in films like Boogie Nights. But I do agree that his whole shtick seems very odd here, though we're seeing one scene out of context so I won't go off and declare The Happening an absolute failure.
Personally, I hope this film is good. I WANT to love this thing. It looks creepy and uncomfortable, and I dig that about it. Who knows; fingers crossed. The Happening lands in theaters on Friday, June 13th.
UPDATE: JoBlo has revealed a new Red Band trailer for The Happening. Check it out over here. (P.S. And it might contain spoilers, so beware!)
An early Cannes favorite, Cinematical's Kim Voynar describes Waltz with Bashiras a "beautiful, disturbing and deeply compelling film" that "could wind up with an Oscar nod come January." The animation looks stunning (love the gold in those beach scenes), and I'd definitely agree with Spout's Karina Longworth who calls it "Grand Theft Auto: Beirut, Meets A Scanner Darkly" in the title of her post showcasing the trailer above. More from Kim's Cannes review: "Waltz with Bashir documents the struggle of the filmmaker, Ari Folman, to come to terms with the gaps in his memory surrounding the part he played in the first Lebanese war and the 1982 massacre of Palestinian civilians in the West Beirut refugee camps of Sabra and Shatila."
I'm not sure what they're putting in the water over in Cannes, but some pretty wild deals are beginning to emerge from that fest in France. Only a day after Werner Herzog signed to direct Nicolas Cage in a remake of Bad Lieutenantcomes word from The Hollywood Reporter that Herzog and David Lynch have teamed up on a film called My Son; a murder drama to be tentatively shot next March. Based on a true story, My Son will tell of a "San Diego man who acts out a Sophocles play in his mind and kills his mother with a sword." HR says the film will jump between the murder scene and this disturbed man's story. Nice family film from two completely sane directors.
Additionally, and this shouldn't come as a surprise (considering the two guys we're talking about), My Son will be shot guerrilla-style with digital video. Herzog, who co-wrote My Son with Herbert Golder, will first shoot Bad Lieutenant in July before directing the Victorian-era drama The Piano Tuner for Focus Features. One can only imagine what the finished product will look like when you've got Herzog and Lynch working together on the same movie -- especially one with a nutty storyline like this one. Not for nothing, but I think I'd rather watch the documentary of them making this film rather than the film itself. You?
UPDATE: We've been asked to take down the trailer as it hasn't been approved for distribution yet. Note: You might want to kick up the speakers a bit here; this one comes in a tad low.
Above you will find the first trailer for the film Traitor, starring Don Cheadle, Guy Pearce and Jeff Daniels. The wild thing about this film is that Steve Martin (yes, THE Steve Martin) came up with the idea for Traitor, though he left scripting duties to writer-director Jeffrey Nachmanoff. Based on what we see above, Traitor seems like one of those "have fun figuring it out" types. Pearce plays a straight-edge FBI agent who heads an investigation on international conspiracy, where all clues lead back to former U.S. Special Operations office, Samir Horn (Cheadle). Thus begins what appears to be a dangerous cat and mouse game between the two -- with Daniels playing a veteran CIA contractor with his own agenda.
What I'm liking about this one is that Cheadle looks pretty rough, tough and ready to rumble -- and we don't get to see him much in roles where he can beat the living hell out of anyone within shouting distance. Go Don Cheadle! That guy always gives a tremendous performance, so no matter what I believe Traitor will be worth the watch just to see Cheadle in action. But let us know what you think.
Let it be known that little live but lies, Love-lies, and god-lies, and lies-to-please. Dylan Thomas
Back in 2006, I couldn't say that I was itching to see The Edge of Love, which was then titled The Best Time of Our Lives. Keira Knightley was attached to star, which wasn't surprising since her mom wrote the script, but Lindsay Lohan was attached to co-star. LiLo was already getting into tabloid trouble and it seemed like a slap in the face to Dylan Thomas fans, and a moment of insanity within the casting powers that be. Luckily, she dropped out, and Sienna Miller stepped in.
Now, finally, we've got a trailer. I could do without the first pointless closeup of Keira's face, but the trailer soon goes through the basics of the story, and it's looking like a sweet literary drama. Edge focuses on the love triangle between Caitlin (Miller) and Dylan Thomas (Matthew Rhys) and friend Vera Phillips (Knightley), and how this led Vera's husband, William Killick (Cillian Murphy), to open fire on the Thomas home with a machine gun and hand grenade in retaliation. Normally, I get a bit perturbed about literary dramas that focus on the romance rather than the writer, but this is a strange story, and it looks like it was captured well for the big screen.
I'd be remiss to not mention that this certainly has Atonement similarities (although one quote in the movie says that this flick is better!), but as a Thomas fan, I'm hoping it can shine in its own light.
The Edge of Love currently has no US release date, but is scheduled to arrive in the UK at the end of June.
Baby, when I met you there was peace unknown. I set out to get you with a fine tooth comb..
Okay, sorry. I couldn't resist. Like Ryan back in January, I had to start this with a little "Islands in the Stream," Dolly Parton and Kenny Rogers style. (Btw: Did you know it was written by the Bee Gees?) Anyhow, back in January, we learned that Tommy Lee Jones was circling a new adaptation of Ernest Hemingway's first posthumous novel, Islands in the Stream. Now The Hollywood Reporter posts that Jones has signed on to adapt, direct, produce, and star in the project, which will be presented to buyers at Cannes.
Stream follows an American painter, Thomas Hudson, tucked away in the Bahamas. Through three acts, the reader is introduced to Hudson's life, from the arrival of his sons to his island getaway, to alcoholism and naval reconnaissance during WWII, to Hudson's desire to pursue a ship of German soldiers who killed an entire village. At one point, there was also a fourth part, but it was removed and became the epically popular The Old Man and the Sea.
Next time Terry Gilliam gets down about his bad luck, he should talk to Constantin Film about Pope Joan. In October of 2006, Franka Potente signed on. In April 2007, John Goodman got sued for backing out of the feature. That made production stop. Then director Volker Schlöndorff was fired over comments he made to a paper. Last we heard, there was a new director, Sönke Wortmann, but that was last August.
And I just had to go and say: "How funny would it be if she could no longer do it? Also disappointing, since I'd love to see her really command a period piece." The Hollywood Reporter posts that due to scheduling conflicts from the rampant delays, Franka is out and German actress Johanna Wokalek is in as Pope Joan. That news just, well, sucks. It would've been a great opportunity for Franka, and Wokalek isn't well-known stateside, which could affect the production further.
But here's where things get weird. It seems that although he was sued and left eons ago, "Constantin said Wednesday that it remains in talks with Goodman and that the actor could still join the cast." That would certainly help foreign cred, but is he really still around? Is this just due to the lawsuit? The whole production just seems like a mess.
Should I even bother saying that principle photography is now set for August, with the film's release set for 2009? Will this come to fruition, or are more problems on the way?
Thanks to Bourne, the spy-fi genre is alive and well and every studio is on the lookout for a franchise of their own -- even Disney. Variety reports that super-producer Jerry Bruckheimer (along with the Mouse) has purchased the screen rights to David Ignatius' spy thriller, The Increment. Ignatius is an associate editor for The Washington Post and Increment will be his seventh novel. An adaptation of his 2007 book, Body of Lies, has already finished shooting with Ridley Scott at the helm, and Leonardo DiCaprio starring as a CIA agent hot on the tail of a terrorist.
The Increment centers on a "shadowy, elite group of British undercover intelligence operatives who are conscripted by a CIA agent to help a weapons scientist defect from Iran." Early reviews of the manuscript praised the story, citing the wealth of facts about the CIA and the international intelligence community. But insiders were shocked that Disney would want the property considering the amount of 'hot button' issues in the book, like Islamic politics and an invasion of Iran.
Ignatius' novel has not even been published yet, so it's very early days for the adaptation -- and leaving plenty of time for Disney to water down the story. In the meantime, look for Body of Lies to arrive in theaters on October 8th, 2008.
Hello, vampires!
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I'm not sure what they're putting in the water over in Cannes, but some pretty wild deals are beginning to emerge from that fest in France. Only a day after 
Baby, when I met you there was peace unknown. I set out to get you with a fine tooth comb..
Next time Terry Gilliam gets down about his bad luck, he should talk to Constantin Film about 
Thanks to Bourne, the spy-fi genre is alive and well and every studio is on the lookout for a franchise of their own -- even Disney. Variety 
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SCOOP: Spider-Man 4 and 5 Might be Shot at the Same Time!
Cinematical Seven: Disney's Awesome Live-Action Kid Adventures
